{"title":"Consignment | DD | Farquhar","description":null,"products":[{"product_id":"ngurra-90x90cm-3","title":"Sarrita King | 'Ngurra, 2023' | 90x90cm","description":"\u003cp\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e DDSK23148\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Sarrita King\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Ngurra\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Acrylic on Linen\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e 90x90cm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYear:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eNgurra\u003c\/span\u003e\u003cspan\u003e means country\u003c\/span\u003e\u003cspan\u003e in Gurindji\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eLanguage\u003c\/span\u003e\u003cspan\u003e. This work \u003c\/span\u003e\u003cspan\u003eis a reflection of\u003c\/span\u003e\u003cspan\u003e the repetitive nature of the land. \u003c\/span\u003e\u003cspan\u003eThe earth crack\u003c\/span\u003e\u003cspan\u003eing \u003c\/span\u003e\u003cspan\u003ein the desert\u003c\/span\u003e\u003cspan\u003e or \u003c\/span\u003e\u003cspan\u003ebright intensity of lightning over the land\u003c\/span\u003e\u003cspan\u003e, in\u003c\/span\u003e\u003cspan\u003e this repetition I feel a calling to the land and \u003c\/span\u003e\u003cspan\u003eits \u003c\/span\u003e\u003cspan\u003esimple\u003c\/span\u003e\u003cspan\u003e intr\u003c\/span\u003e\u003cspan\u003eicate beauty that sings through me.\u003c\/span\u003e\u003c\/p\u003e","brand":"Dreamtime Distribution","offers":[{"title":"Unstretched | Shipped Rolled","offer_id":50071111237865,"sku":"DDSK23148","price":3795.0,"currency_code":"AUD","in_stock":true},{"title":"Stretched | Ready to Hang","offer_id":50071111270633,"sku":"DDSK23149","price":3995.0,"currency_code":"AUD","in_stock":true},{"title":"Stretched \u0026 Floating Frame | Black","offer_id":50071111303401,"sku":"DDSK23150","price":4400.0,"currency_code":"AUD","in_stock":true},{"title":"Stretched \u0026 Floating Frame | White","offer_id":50071111336169,"sku":"DDSK23151","price":4400.0,"currency_code":"AUD","in_stock":true},{"title":"Stretched \u0026 Floating Frame | Natural Wood","offer_id":50071111368937,"sku":"DDSK23152","price":4400.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0769\/0993\/6873\/files\/Sk-Ngurra-90x90cm-2023copy.jpg?v=1765589646"},{"product_id":"sarrita-king-ngurra-2026-90x120cm-ddsk26118","title":"Sarrita King | 'Ngurra, 2026' | 90x120cm","description":"\u003cp\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e DDSK26118\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Sarrita King\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Ngurra\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eArea:\u003c\/strong\u003e Darwin, NT\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCommunity:\u003c\/strong\u003e Gurindji \/ Waanyi\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Acrylic On Linen\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e 90x120cm\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eYear:\u003c\/strong\u003e 2026\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eNgurra is a Gurindji word meaning Country, home or place, and in Sarrita King's work it carries the weight of connection and memory rather than a single mapped location. These paintings are not a view of one site but a response to the rhythms that run through the land itself: the cracking of dry earth, the movement of water, shifting vegetation, pathways worn into the ground and the sudden charge of tropical weather over the Northern Territory. Through layered dots, fine lines and repeating circular forms, King builds a surface where different traces of Country seem to surface and recede, so that the painting feels less like a single scene than an accumulation of place over time.\u003c\/p\u003e\n\u003cp\u003eSarrita King is a proud Gurindji Waanyi woman, born in Adelaide in 1988. She is the younger sister of Tarisse King and daughter of the late William King Jungala, whose Gurindji people led the famous Wave Hill Walk-Off — Australia's first successful land rights claim. Growing up in Darwin, Sarrita was immersed in the extreme weather and primal landscapes of the tropical north, which became the foundation of her art. She began painting at 16 and combines traditional Aboriginal dotting techniques with unorthodox methods inherited from her father, creating works of extraordinary depth capturing lightning storms, fire, sand dunes, and the textures of the earth from aerial perspectives. Her art is a fusion of past and present — the next generation keeping ancestral narrative alive.\u003c\/p\u003e","brand":"Dreamtime Distribution","offers":[{"title":"Default Title","offer_id":67805718872297,"sku":"DDSK26118","price":4995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0769\/0993\/6873\/files\/DDSK26118-Sarrita_King-2026-Ngurra-90x120cm-square-web.jpg?v=1793267765"},{"product_id":"rowdy-warren-wildflowers-2021-90x150cm-marw21191","title":"Rowdy Warren | 'Wildflowers, 2021' | 90x150cm","description":"\u003cp\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e MARW21191\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Rowdy Warren\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Wildflowers\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eArea:\u003c\/strong\u003e Adelaide, SA\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Acrylic On Linen\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e 90x150cm\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eYear:\u003c\/strong\u003e 2021\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eRowdy Warren's Wildflowers paintings grew out of a period he has described as an artistic awakening, when time spent among Indigenous artists sharpened the way he looked at the Australian landscape he had lived beside for decades. The series is not drawn from Dreaming or ceremony, but from the wild fields and bushland around him, rendered in the saturated, graphic language he built across years of punk poster design and street wear branding. Wildflowers became his best known body of work precisely because it fuses that pop sensibility with real observation of botanical form, scaled from small intimate canvases to mural sized works.\u003c\/p\u003e\u003cp\u003eThis canvas is worked on a warm, dusty gold ground that reads almost like aged paper, brushed in broad uneven strokes so the underlying linen weave stays visible beneath the paint. Across it Warren has thrown and dripped paint in black, white and soft pink, letting it pool and spatter into starburst forms that spread like flowerheads opening across the surface. Each burst has a dark centre from which fine lines radiate outward, some fraying into delicate threads, others thickening into bold branching arms.\u003c\/p\u003e\u003cp\u003eThe flowers cluster and overlap through the centre of the composition, dense at the middle and thinning toward the edges where the gold ground opens up and single blooms sit in isolation. White and black dominate, mixed wet into wet so they marble together in streaks and fans, while the pink appears only in flashes, caught at the heart of certain blooms or flung thinly across the surface. Warren builds the marks through controlled dripping and flicking rather than brushwork alone, letting gravity and momentum shape each flower's silhouette.\u003c\/p\u003e\u003cp\u003eSeen from across a room the painting settles into a rhythmic field of pale starbursts scattered over warm ground, almost decorative in its repetition. Up close the control becomes apparent, each spidery line distinct, each splatter deliberate, the apparent chaos revealing a disciplined, repeated gesture built flower by flower across the full width of the canvas.\u003c\/p\u003e\u003cp\u003eRowdy Warren has called Adelaide home since the 1970s, building a visual language first through punk band logos and posters, then through his own streetwear brand, before turning to painting. His practice carries that history of bold design and graphic confidence, reshaped through an exchange of skills with Indigenous artists that sharpened his eye for the Australian landscape without adopting its iconography. The Wildflowers series remains his signature body of work, held by galleries including Ngarru Gallery and Wentworth Galleries, and the subject of his solo exhibition at Canberra Art Gallery.\u003c\/p\u003e\n\u003cp\u003eRowdy Warren was born and raised in South Australia and has called Adelaide home since the 1970s. He has described finding his first pencil at three or four years old as like finding the key to a whole new world, and conventional schooling proved a poor match for an original and spirited imagination that was better challenged outside its restrictions. He first came to notice around Adelaide as a member of a punk band, designing the band's logos and posters to promote their own gigs, and discovered in the process a real love of creating a visual statement. Logo work for others followed, and soon after he established his own street-wear brand, immersing himself in a world of creativity, presentation, design and expression. His creative energies remained vibrant and restless, and a meeting with a group of Indigenous artists proved a turning point: he drew inspiration and skills from them while imparting contemporary ones in return, a period of artistic awakening in which he seemed to see the mesmerising Australian landscape for the first time. 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Having come to painting through punk poster design and street wear branding, he brought a graphic, high impact sensibility to the bush and its blooms. The series renders native flora not as botanical record but as pure visual energy, scaled from the intimate to the mural sized, always worked in colour pushed to full saturation.\u003c\/p\u003e\n\u003cp\u003eRowdy Warren was born and raised in South Australia and has called Adelaide home since the 1970s. He has described finding his first pencil at three or four years old as like finding the key to a whole new world, and conventional schooling proved a poor match for an original and spirited imagination that was better challenged outside its restrictions. He first came to notice around Adelaide as a member of a punk band, designing the band's logos and posters to promote their own gigs, and discovered in the process a real love of creating a visual statement. 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Working in saturated colour across scales from the intimate to the mural, he set out to capture the wild field rather than the cultivated garden, the burst of colour that appears almost by accident at the roadside or on open ground. The series carries the instinct of a self-taught sign painter and poster designer, trained on gig flyers and streetwear logos long before it was turned toward botanical subjects.\u003c\/p\u003e\n\u003cp\u003eRowdy Warren was born and raised in South Australia and has called Adelaide home since the 1970s. He has described finding his first pencil at three or four years old as like finding the key to a whole new world, and conventional schooling proved a poor match for an original and spirited imagination that was better challenged outside its restrictions. 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