{"product_id":"charmaine-pwerle-awelye-2024-60x60cm-chapw0623","title":"Charmaine Pwerle | 'Awelye, 2024' | 60x60cm","description":"\u003cp\u003e\u003cstrong\u003eCode:\u003c\/strong\u003e CHAPW0623\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Charmaine Pwerle\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Awelye\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eArea:\u003c\/strong\u003e Utopia (Urapuntja), NT\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCommunity:\u003c\/strong\u003e Anmatyerre \/ Alyawarre\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Acrylic On Linen\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e 60x60cm\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eYear:\u003c\/strong\u003e 2024\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003eCharmaine Pwerle's Awelye paintings return to the body paint designs of women's ceremony on Atnwengerrp country, the land of her grandmother Minnie Pwerle. Awelye is both the ceremony itself and the marks applied to the breast, shoulders and upper arms during it, and when Pwerle brings these designs to canvas she paints the sweeping gesture of the hand as it moves across skin, the curved lines following the contours of the body and the sites and pathways that connect women to their country.\u003c\/p\u003e\n\u003cp\u003eCharmaine Pwerle was born in Alice Springs in 1975 and raised on the Utopia homelands in the Northern Territory, within one of the most significant artistic families in Australian art. She is the daughter of the late Barbara Weir and the granddaughter of the late Minnie Pwerle, and grew up in the company of Emily Kame Kngwarreye, Gloria Petyarre and the Pwerle sisters. Educated in Adelaide and later living in Melbourne, she returned to Utopia in 1992, a period in which senior women passed on the ceremonial knowledge that underpins her painting. Her practice centres on Awelye, the women's ceremonial body paint designs of her grandmother's country, Atnwengerrp. Sweeping curvilinear bands describe the marks applied to the breast, shoulders and upper arms during ceremony, while circular forms denote ceremonial sites and linear tracks record the routes women travelled in search of bush foods. Working in acrylic on linen, she paints with a confident, unhesitating line inherited from her grandmother, but in a palette and rhythm distinctly her own, ranging from restrained monochromes to saturated multi-colour fields. Her work has been shown throughout Australia and in the United Kingdom and Europe, and she continues to paint from Alice Springs.\u003c\/p\u003e","brand":"AAW","offers":[{"title":"Default Title","offer_id":67595365318889,"sku":"CHAPW0623","price":1250.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0769\/0993\/6873\/files\/CHAPW0623-Charmaine_Pwerle-2024-Awelye-60x60cm-square-web.jpg?v=1790680622","url":"https:\/\/cag.art\/products\/charmaine-pwerle-awelye-2024-60x60cm-chapw0623","provider":"Canberra Art Gallery","version":"1.0","type":"link"}