Nyurapayia Nampitjinpa (aka Mrs Bennett) | 'Punkilpirri' | 71x56cm
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- $5,950.00 AUD
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- $5,950.00 AUD
- Regular price
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Code: DDNN001
Artist: Nyurapayia Nampitjinpa (aka Mrs Bennett)
Title: Punkilpirri
Medium: Acrylic On Canvas
Size: 71x56cm
Year: Unknown
In Punkilpirri, concentric rings pulse across a finely dotted ground, gathering in clusters like waterholes seen from above. The composition holds a quiet symmetry: larger ringed forms anchor the centre and corners, while smaller ovals drift between them, suggesting a network of связанных sites linked by Country rather than by line.
The palette is restrained and earthen, ochre, warm tan, cream and deep black, a tonal register that recalls the sun-bleached sands and shadowed rockholes of the Western Desert. Every surface is built from the painstaking accumulation of dots, the field around each ring shimmering with a granular density that gives the work its breathing, sand-like quality. The painted border, ruled with vertical striations, frames the country within as though one were looking down onto a held, mapped place.
Nyurapayia Nampitjinpa, known widely as Mrs Bennett, was one of the most distinctive senior women painters to emerge from the Pintupi-Luritja tradition. Her work is recognised for its loose, intuitive rhythm — concentric circles that swell and contract, ovals that lean rather than sit squarely, and a sense of looseness that makes her canvases feel hand-thought rather than diagrammed. Punkilpirri carries these signatures unmistakably: the slightly irregular ovals, the dense infill, the confident black outlining that lets each site sing against its sandy ground.
The repeated ringed motifs evoke the language of waterholes and significant sites, gathered together as a constellation of places belonging to one Country. Smaller rings act as satellites, perhaps lesser soakages or camp places, while the larger forms read as principal sites, returned to and remembered. The result is a painting that feels both cartographic and meditative, a quietly powerful statement from an artist whose late-career canvases are celebrated for their warmth, looseness and authority.